Fifty. And Counting.

Mambakkam is a sleepy hamlet two hundred kilometers south of Chennai, smack in the heart of what was once the Pallava Empire. The five-hundred strong settlement is an Indian village straight out of a Bharatiraja movie- the idyllic picture complete with a large pond adorned with lilies of an enchanting shade of cream. Our own bungalow was a pleasant yellow- the only concrete structure in the vicinity apart from the Pillayar Kovil to be allowed the luxury of paint. The house was in a mesmerizing state of ruin, perennially sporting a captivating fragrance that was a fusion of agarbattis, moss and cow-dung.

My favourite part of the house was an unusually long verandah, no wider than a couple of metres. The walls on both sides were lined by portraits and photo-frames from over the ages haphazardly nailed on the bluish-white walls- a picture of Grandma’s wedding ceremony and another of her father's graduation stood cheek by jowl. There was a haunting feeling, a sense of defying death, perhaps, about those fifty-odd black-and-white images that never quite left me.

I have always found photography fascinating. It is strange how it only takes a piece of paper and some fancy equipment to freeze a moment in time, sealed from the drills of age and death that we mortals are put through. Summer after summer, I'd catch Granny spending hours looking up, misty-eyed, at the frames and smiling at the unseeing eyes; taking her own sweet jaunts down memory lane. Occasionally, I'd even spot a tear or two. Having seventy years of your life stare down at you from a wall can be a daunting experience, I suppose.

True to its coastal location, the rains haunt Mambakkam with a numbing regularity. Yet, strangely enough, the village is caught unawares every single time, welcoming each spurt as if it were the first. Nothing could have prepared the hamlet for the cyclone that struck it late last year, though. I always thought the telephone poles the Government installed all over the village in the late 90's were an anachronism- the only eyesores in an otherwise perfectly medieval setting. The poles did little to improve their standing in my eyes when one of them was uprooted by the cyclone and landed right in the middle of my ancestral home, taking with it the verandah and the images and stories it withheld.

Much to my own disbelief, it has been fifty posts since I first decided to encroach on a few megabytes of webspace (two posts were subsequently deleted, if you're wondering why the numbers on the right don't add up). As clichéd as it might sound, the last forty-nine posts have all, to varying degrees, been steps on that long journey to self-discovery. I have often been asked why I wrote- not always out of exasperation, I must add. A few even ventured explanations of their own; the Bulk's 'Glory-Blogger' theory undoubtedly the most popular of the lot. I, for one, believe the asnwer lay somewhere in that verandah. I have always felt an inexplicable sense of warmth while wallowing in nostalgia- that huge void inside slips into oblivion, for a few wonderful moments. I think my posts have all, in one way or another, been patchy attempts to recreate my beloved verandah. Some day, I will look back at all this. And smile.